Mixed Messages in conjunction with Rock Like This Present:
Lee coombs (UK) & Myagi (CAN)
Mixed Messages & Rock Like This are proud to present 2 of the leaders in breaks and fidget-house, as well as an Malaysian techno legend and a Western Australian leader in the breaks scene .
Diistortiion (WA) & Victor G (MAL)
Prepare yourself for a night of big bomb breaks and Electro.
Aswell as a range of hands in the air techno beats out in the garden bar.
Bring your Sunny’s, this party goes through to recovery.
Presenting:
Lee Coombs (UK) / Myagi (CAN) / Victor G (MAL) / Diistortiion (WA)
Friday Nov 6th @ Brown Alley
Support:
Boogs / Phil K / Rollin Connection / Muska / Citizen.com
Deviant / Tahl / Mali (Perth) / Mish’Chief / Freya / Brainstorm
Flip / Snowie / Frankie K / Kalus / Jane Daffy / Phil Davison
Rach’e / JD / Llupa / Dstract / Ill Figerz / Gavin McQuinn
Kodiak Kid / DanTrax / Mahatia
Tickets from BrownAlley.com, or contact any of the local dj’s playing on the night.
LEE COOMBS
Bending boundaries and ignoring the status quo – where would the Breakbeat scene be today without Lee Coombs. For over a decade this British producer has been at the forefront of it all; releasing groundbreaking mix CDs, remixing the world’s most acclaimed artists and knocking out dancefloor destroying productions that are considered classics years after their release.
A seasoned veteran, Coombs first hit the DJ slopes in 1989, bathing himself in the acid house scene at parties around London and Cambridge. Crucial in shaping his all-encompassing approach to DJing and production, this boundary-less approach would become Coombs’ trademark, mixing up breaks, house, electro, techno and acid with dexterous assurance.
In 1998 Coombs made his first massive strike on the breaks scene as the prized recruit of then ‘up and coming’ label Finger Lickin’, with the man’s acclaimed album of 2001 ‘Future Sound of Retro’ signalling his arrival on the world stage. Such was the impressive nature of Coombs’ debut that respected industry figurehead Pete Tong noted him as the ‘man to watch’. An ‘Essential New Tune’ accolade soon followed courtesy of Tong, with Coombs’ re-rub of Quivver’s ‘One Last Time’ making dance fans weak at the knees the world over.
Such was the demand for Coombs, that luminary Paul Oakenfold was soon knocking at his door, resulting in the critically acclaimed Perfecto Breaks album of 2002. After landing the job of remixing Oakenfold’s ‘Time of your Life’ and then further re-rubs for world class acts such as Moby, New Order, Lamb and Planet Funk, Coombs’ status as one of the industry’s most in-demand artists quickly developed. Even the BBC was under the Coombs spell with them flying him over to Prague in the summer of 2003 to record the theme music for the television program ‘Born to Win’ with the Czech Philharmonic Orchestra.
Ever the musical innovator, Lee Coombs’ 2004 album release ‘Breakfast of Champions’ signalled a significant evolution in his sound. Collaborating with some of the most respected artists in his field – from Dylan Rhymes to Christian J, Andy Gardner (Plump DJs) and Jem Panufnik (Soul of Man), the album charted the ambitious new territory of Tech Funk, injecting the Breaks sound with butt-shaking elements of House, Electro and Techno. It was a style Coombs would make his own, alongside fellow innovators Meat Katie, Elite Force and Dylan Rhymes. Featured on the acclaimed album was the cracking single ‘Shiver’ (feat. Katherine Ellis) which was snapped up by classic house imprint Azuli and became one of the biggest vocal house anthems of 2005, whilst the ‘Alright All-Night/Dubhead’ and ‘Obsessional Rhythm’ singles went straight to no.1 in the DJ Mag Beats & Breaks Chart.
Departing Finger Lickin’ for new pastures in 2005, Coombs’ focus shifted to releasing music through his own Thrust Recordings imprint as well as Adrift and Meat Katie’s Lot49 (then Whole9Yards). It was at this time that he started his Thrust club nights in San Francisco, with the quarterly events becoming one of the hottest tickets on the West Coast.
Change has further characterised Coombs in recent times. Not only has the recently married Brit relocated to the USA to settle with his new wife, but he also formally joined the Lot49 team and is set to mix the label’s latest compilation due out in February 2008.
If that’s not enough, a groundbreaking new artist album is also on the way. While still dancefloor focused, Coombs views this as his most ambitious project yet with a range of tempo from 100 – 128 bpm and collaborations with the likes of Longrange (Phil Hartnoll from Orbital’s new band), Meat Katie, Seasunz, Katherine Ellis and many others.
When he is not in the producers chair, Coombs regularly tours all corners of the globe and is a bona-fide fans favourite throughout Europe, the USA, Australia, Asia and of course the UK. His popularity has also ensured his repeat appearance at infamous festival ‘The Burning Man’ in the Black Rock Desert of Nevada.
In an industry that’s so often governed by trends and fads, Coombs’ unwavering ability to simultaneously destroy dancefloors and push musical boundaries almost 20 years since he first touched a pair of turntables is a remarkable achievement in itself. With plans to further spread his production wings to writing music for film and TV, as well as producing bands, there’s little doubt that his impressive sonic skills will be rocking ears for many years to come.
Here’s a Link for a Lee Combs party promo mix, it’s well wicked
Listen:
http://soundcloud.com/lot49/lee-coom…unch-party-hub
MYAGI
Canada’s Myagi has had a huge few years – over the course of his career he has been one of the more well noted globetrotters of the house / breakbeat scene, but the last while has been….well…..crazy!
2008 and 2009 have seen Myagi launch Pop And Lock – a personal label for original material and select output from friends and co-conspirators that have seen support from the likes of Pete Tong, The Japanese Popstars, Utah Saints, The Scumfrog, The Crystal Method, Meat Katie, and the list goes on…..
In the same timeframe, Myagi remixed Orbital, The Crystal Method, The Dub Pistols, and did his second remix for Thievery Corporation’s ESL Records. His original material has hit number one on sales charts for Beatport and various other retailers, and his mashups and mix sets have pleased thousands of internet music freaks the world over.
His debut album “3 Years Of Sunrise,” released in 2008 was dubbed “an uplifting electronic masterpiece” by DJ Mag, earning a 4.5/5, and has been compared to the classic works of acts like Leftfield, BT, or even the Chemical Brothers. (AWESOME Album)
His yearly tours of Australia, China, Canada, the US, the EU and various other countries have allowed Myagi to drop his unique blend of hard edged funk, electro, breaks, house (everything but the kitchen sink really) on what can only now be referred very expectant crowds. A firm favorite in many of the worlds top party cities, the Myagi sound has been a fixture of the international club scene for 5 years or so, and has garnered a huge following, especially amongst the fans of the “classic” era of dance music – a key part of the crowd especially considering the degree to which Myagi releases are used as key set highlights by the biggest names in the history of the genre.
Myagi Mix Set
128K -
http://www.sendspace.com/file/pcsfbx
or
http://www.sendspace.com/file/fc01mh
